Fringe Dwellers

I wrote this article about making independent theatre, in response to a great piece Why Art from Alison Croggon in Overland 212 Spring 2013.

Fringe Dwellers is on Overland online.

Is independent practice always a stepping stone to being fully funded and/or incorporated into the mainstream? Is it more of a conscious choice about how and why we want to make work? Or, as Croggon suggests in her article, is it also systemic, connected to the lack of public funds available to do it any other way?

Read it in full here.

The Good Girl - Melbourne Fringe Festival

There’s no end to her capacity.

That’s the whole point.

She goes on, and on, and on.

We turn her off for maintenance, down time, de-fragging.

That’s it.

We turn her back on.

She goes on and on and on.

Come and meet The Good Girl, premiering at this year's Melbourne Fringe Festival. Tickets limited so we recommend booking!